[This article contains significant spoilers from The Wheel of Time season three, episode five, titled “Tel’aran’rhiod.” ]
Rafe Judkins, the showrunner of the acclaimed series The Wheel of Time, emphasizes the importance of LGBTQ+ representation within this vast television adaptation. As the show enters its third season, it continues to prioritize visibility and inclusivity, reflecting the perspectives of Robert Jordan’s beloved fantasy epic.
Judkins views this representation as a vital aspect of his storytelling approach. The show stands out by integrating queer characters and relationships as a natural component of the narrative, in contrast to conventional storytelling norms that often resort to explicit coming-out plotlines or issue-based episodes. According to Judkins, “We made a conscious decision in the first season writers’ room to ensure that homophobia didn’t exist in The Wheel of Time. While some viewers might not consciously recognize it, others certainly feel it, and it’s a choice made in the spirit of the fantasy genre.”
In this fantasy realm, queerness is seamlessly woven into the fabric of existence—integrating into personal identities, relationships, and societal structures. Rather than justifying the presence of queer individuals, the focus shifts to their day-to-day lives and experiences.
Judkins and his team are transparent about their intentions. The latest episodes delve into the emotional aftermath of complex relationships—such as the impact of a tragic loss within a throuple involving an Aes Sedai and her Warders—and explore deeper motifs within the Aiel’s cultural customs, notably their first-sister traditions.
Recently, Judkins engaged in an insightful dialogue with THR concerning the significance of queer representation in The Wheel of Time and recent character developments.
Assessing Historical Queer Representation in Fantasy
Judkins recalls his childhood experience with fantasy, reading classics like The Lord of the Rings with his family. However, it was The Wheel of Time that truly resonated with him during his formative years. “Growing up in the Mormon church, feminist struggles against its constraints were ever-present in my life. Simultaneously, I was grappling with my own identity as a gay man. The connection I felt while reading Wheel of Time was profound, particularly in contrast with other fantasy literature I’d previously encountered.”
He expressed disappointment with other fantasy narratives that often coded queerness through subtext. “In many works, women were portrayed as ‘pillow friends’ rather than acknowledged as having genuine romantic connections.” For Judkins, it is his mission to craft a narrative that highlights authentic relationships, so viewers see themselves reflected in the series.
Navigating Queerness in The Wheel of Time
Drawing from his background in science and anthropology, Judkins emphasizes the varying cultural responses to queerness throughout the series. Each group and society in the Wheel of Time universe offers a unique perspective on gender and sexuality, especially within the predominantly female space of the White Tower, which serves as a focal point for the exploration of relationships among women.
The first-sister dynamic is particularly intriguing, featuring interrelations that can exist independently of men. This season introduces multiple first-sister relationships, showcasing the diversity of such bonds and their cultural significance within the Aiel community.
“In season three, the depth of relationships among characters like Aviendha and Elayne is essential. Their connection is fortified before involving Rand, underscoring the personal bonds in their triadic relationship,” Judkins explains.
Expanding on Moiraine and Siuan’s Romance
The relationship between Moiraine and Siuan undergoes significant development in episode five. Rather than adopting subtext, the show opts for direct representation, making their romance a central element of character motivations and plot progression. Judkins asserts, “Their romantic bond powers much of the narrative; its overt acknowledgment was crucial for maintaining the story’s integrity.”
As Moiraine navigates complex emotional terrain, her interactions with Siuan reveal the complexities of love and control. Their conversation in episode five serves as a poignant reminder of their emotional struggles and enduring affection for one another.
Queer Identities in a Fantasy Framework
A crucial theme in the show is the fluidity of identity. When discussing Moiraine’s potential romantic interests, Judkins notes, “The identities we apply to ourselves in the real world may not fit neatly within this fantasy universe. Moiraine embodies a character who transcends conventional labels.” The narrative challenges viewers to rethink identity within the spectrum of fantasy in ways that reflect contemporary discussions on gender and sexuality.
Exploring Polyamory and Grief
The death of Ivhon introduces profound themes of loss and healing within Alanna and Maksim’s relationship. Judkins elaborates, “It’s vital to present the realities of polyamorous relationships, especially in the context of loss. ‘Who owns grief when three become two?’ stands as a critical perspective for us.”
This portrayal not only enriches character dynamics but also resonates deeply with those familiar with navigating similar emotional landscapes. “We aimed to create authentic representation for diverse relationships that expand beyond traditional boundaries,” he adds.
The Significance of Elayne and Aviendha’s Connection
Finally, a key focus is on the vibrant bond between Elayne and Aviendha. Their relationship is one of the narrative’s central pillars and is given necessary development to emphasize that their connection is just as significant as that with Rand. “Surprisingly, readers often overlook the dense passages showcasing their bond, focusing solely on Rand’s perspective,” notes Judkins. “Our goal is to elevate these moments while staying true to Jordan’s incredible storytelling.”
In conclusion, The Wheel of Time continues to redefine queer representation within the fantasy genre, charting unexplored narratives that resonate with audiences navigating their unique identities. The series releases new episodes each Thursday on Prime Video.