The Like A Dragon Series, formerly known as Yakuza in the Western world, exemplifies remarkable consistency and rapid development within the gaming landscape. Developed by RGG Studio, this franchise consistently rolls out new titles, often producing multiple games within a single year. The latest release, Like A Dragon: Pirate Yakuza In Hawaii, maintains the high gameplay standards that fans have come to expect.
RGG Studio appears to have discovered a successful formula for creating entertaining games, a strategy that other developers should consider emulating. Despite the brisk release schedule, SEGA continues to deliver excellent titles; for instance, Screen Rant commended the engaging gameplay of Pirate Yakuza In Hawaii. The studio’s consistent quality can be attributed to its refined methodologies, which, if adopted by other developers, could enhance their productivity and output.
Like A Dragon/Yakuza: A Model of Quality and Quick Releases
A New Entry Every Year



Like A Dragon: Pirate Yakuza In Hawaii is just the latest installment in RGG Studio’s impressive collection of titles. Even with this swift release cycle, RGG Studio consistently delivers high-quality gameplay and narrative depth. The series has avoided major missteps, making it a rare gem in the industry.
Consider the sheer volume of releases: for instance, Like A Dragon: Infinite Wealth premiered in January last year, followed by Pirate Yakuza In Hawaii in February this year. Such rapid releases have become a hallmark of the franchise, which has occasionally launched multiple significant titles within the same calendar year. This sustained excellence indicates that RGG Studio has optimized its development processes.
For those looking to experience the franchise in chronological order, it requires navigating through at least a decade’s worth of games, particularly if spin-offs are included. While this complexity might suggest challenges in maintaining a cohesive narrative, RGG Studio has successfully upheld the overarching story, even with various protagonists from different eras.
Nonetheless, the practice of rapid development has drawn some critiques. Fans have pointed out the repeated use of certain assets, maps, and mini-games as a way to expedite development. While the visual evolution may not be immediately apparent—especially for those starting with Kiwami
instead of earlier titles—improvements can be traced throughout the series. Given that these aren’t blockbuster titles, the absence of significant technological leaps is not necessarily detrimental.
Evolving Trends in Game Development
Extended Development Timelines

Remarkably, Like A Dragon: Pirate Yakuza In Hawaii bucks the trend of prolonged game development. Historically, video games from the late 1980s to the 1990s typically saw completion within just a year or two from conception. In contrast, the current landscape often sees projects extending beyond five years to reach maturity due to various factors.
Although advancements in technology should facilitate quicker development, they often complicate the process instead. The increasing demand for lifelike graphics and sophisticated physics engines has evolved games into more complex and time-consuming projects. This evolution implies a natural correlation between rising expectations and longer development cycles.
Some of the longest games in development history have exceeded eight years—measured strictly in active development, not considering off-and-on projects. While thoroughness can produce exceptional titles like Red Dead Redemption 2, it also means that less commercially successful projects like Dragon Age: The Veilguard require extended production times.
Although this prolonged cycle is now an accepted norm across the industry, RGG Studio challenges it. By refining their approach and prioritizing consistent quality over lengthy development, RGG Studio has demonstrated that a successful gaming experience can defy current conventions.
The Practice of Asset Reuse in Gaming
Reexamining Asset Reuse

While reusing assets is often seen as a gaming faux pas, RGG Studio, including in Like A Dragon: Pirate Yakuza In Hawaii, embraces asset reuse without deterring from the gaming experience. As graphical capabilities improved, the visibility of reused assets became more pronounced. Yet, in the past, this practice was common and accepted in sequels.
Initial gaming phases grappled with hardware constraints, limiting developers’ capabilities. The ability to store high-definition graphics, intricate animations, and varied sound effects was quite constrained. Consequently, developers often repurposed assets—characters, environments, and sound—across different games, which streamlined the sequel process effectively.
Strategic asset reuse ensures substantial quality while alleviating the extensive development durations experienced by many studios.
Icons like Super Mario Bros. and its sequels highlight this trend, as do titles like Knights of the Old Republic and its follow-up. Asset reuse was standard and actually allowed studios to allocate more time to enhancing features and rectifying existing bugs.
According to Ryosuke Horii, the chief director and producer of Pirate Yakuza In Hawaii, the reuse of assets is a standard practice for RGG. The team utilized numerous elements from Like A Dragon: Infinite Wealth, efficiently showcasing their expertise in minimizing the noticeability of reused components.
Lessons for the Gaming Industry from Pirate Yakuza In Hawaii
Embracing Proven Elements in Sequels

The creation of Like A Dragon: Pirate Yakuza In Hawaii exemplifies the advantages of efficient game production methods. By leveraging existing assets and mechanics established in prior titles, the developers provided a fresh yet familiar gaming experience. For instance, they repurposed the Honolulu map and the Dragon Kart mini-game as a framework for the latest installment.
This technique enables developers to layer enhancements on previously established assets, resulting in a polished and refined product. Rather than hastily cutting corners, it reflects a thoughtful strategy that prioritizes creativity and maximizes available resources. Developers seeking to increase production speed could greatly benefit from the lessons learned through Like A Dragon: Pirate Yakuza In Hawaii.
Source: Ungeek