The introduction of a new Oscar category for Best Stunt Design marks an exciting evolution in the Academy Awards, recognizing the artistry behind action choreography. This decision comes after longstanding discussions within the film industry regarding potential new categories to be added to the prestigious awards. Alongside the newly confirmed casting award for the upcoming 98th Academy Awards, the push for a stunt category reflects a growing appreciation for the skill and creativity involved in stunt work, particularly in genres like action and science fiction that have historically been underrepresented in award nominations.
As a testament to the cinematic impact of stunt work, we explore a selection of ten modern classics that would have likely clinched the Oscar for Best Stunt Design had it existed in the previous decade.
Mad Max: Fury Road: A Surefire Winner for Best Stunts in 2015
Stunt Coordination by Guy Norris
If the Academy had adopted a stunt design category a decade ago, Mad Max: Fury Road would undoubtedly be the inaugural winner. Directed by George Miller, this visually riveting film not only reinvigorated the iconic franchise but also showcased some of the most breathtaking stunt performances ever seen on screen. Its nomination for Best Picture marked a rare acknowledgment for the action genre, highlighting its artistic merit.
Fury Road artfully intertwined practical stunts with visual effects, demonstrating that CGI can enhance rather than overshadow real-life stunts. This film, with its explosive sequences and visceral impact, embodies the type of effort the Academy aims to honor with a Best Stunt Design Oscar.
Captain America: Civil War’s Airport Showdown: A 2016 Contender
Fight Choreography by James Young, Stunt Coordination by Mickey Giacomazzi, Fight Coordination by Sam Hargrave
Stunt design encompasses much more than just explosive fight scenes; it involves crafting moments that deepen character arcs while delivering unforgettable action. The pivotal airport battle in Captain America: Civil War is a brilliant example, filled with dramatic stakes, witty banter, and highly choreographed movements that would have made it a frontrunner for this hypothetical Oscar.
Furthermore, the emotionally charged confrontation between Captain America and Iron Man in the film’s climax adds another layer of intensity to the superbly executed stunts. Although competing films like The Revenant showcased impressive technical prowess, the climax of Civil War stands out as an iconic moment in superhero cinema, fit for an Academy Award celebration.
Baby Driver’s Unique Action Design vs. Dunkirk: 2017’s Tough Contest
Stunt Coordination by Jeremy Fry
Contenders for the Best Stunt Design in 2017 would have been neck-and-neck, with Christopher Nolan’s Dunkirk deserving praise for its realistic portrayal of wartime stunts. However, Edgar Wright’s Baby Driver would likely edge out in this rivalry thanks to its extraordinary visual style and innovative action sequences.
With a foundation built on clever vehicle stunts, the film’s exhilarating opening scene and action-packed climax showcase a remarkable synergy between editing, music, and stunt coordination—elements that would have secured its win in the newly established category.
Black Panther: A 2018 Stunt Powerhouse
Stunt Coordination by Jonathan Eusebio & Fight Coordination by Clayton J. Barber
Marvel’s Black Panther not only achieved box office success but also critical acclaim, securing a Best Picture nomination. With its stunning cinematography and rich cultural representation, the film would have been a top contender for Best Stunt Design thanks to its beautifully choreographed fight scenes, especially during confrontations at Wakandan waterfalls.
Even with a few critiques of its climactic battle, the diversity of stunt approaches and the seamless blend of character and action present throughout the film indicates its suitability for recognition in this newly proposed category.
1917’s Cinematic Brilliance and Stunt Execution: A 2019 Gem
Stunt Coordination by Benjamin Cooke
Should Best Stunt Design have been a factor at the 92nd Academy Awards, 1917 would emerge as a strong candidate, bolstered by its innovative single-shot filming technique. Winning Oscars for Best Cinematography and Best Visual Effects, the film’s kinetic energy and meticulously paced action sequences weave a narrative that would resonate well with Academy voters.
Even though it may not feature the grandiose stunts of other entries, its intricate designs are essential to its storytelling, potentially solidifying its place in this award category.
Tenet’s Creative Stunts: A Potential 2020 Winner
Stunt Coordination by George Cottle & Fight Coordination by Jackson Spidell
Had there been an Oscar for Best Stunt Design, Christopher Nolan’s Tenet would have undoubtedly been a front-runner in 2020. The film’s unique premise altering time trajectories resulted in innovative stunts that set it apart from typical action fare. Former collaborator Michael Caine even dubbed it the “best action film”he had experienced.
This groundbreaking approach to stunt creativity paired with relentless action makes Tenet a deserving candidate for any accolade recognizing exceptional stunt execution, marking it as a standout nominee in the hypothetical category.
Dune: Part One’s Stunning Combat: A 2021 Strong Contender
Stunt Coordination by Dave Judge & Tom Struthers, Fight Coordination by Roger Yuan
In the realm of visuals, Dune: Part One stands tall, showcasing beautiful cinematography while introducing viewers to the nuanced combat styles of Arrakis’s various cultures. The film would have been remembered as a top contender for the Best Stunt Design award due to its intense battles and intricate choreography, reflecting both brutality and elegance.
The distinct combat styles portrayed create rich character dynamics, which would have made Dune a fitting winner in the inaugural Best Stunt Design category.
Everything Everywhere All At Once: A 2022 Victory Worthy of Recognition
Supervising Stunt Coordination by Timothy Eulich, Fight Choreography by Andy Le & Brian Le
Competing directly for recognition, both Everything Everywhere All At Once and RRR demonstrated exceptional stunt work, but the former’s blend of creativity and narrative would likely have propelled it to victory in a Best Stunt Design category. Delivering inventive and emotionally resonant action sequences, the film showcases a range of stunts that harmonize with its storytelling.
With the substantial momentum it carried from winning multiple Oscars—including Best Picture—Everything Everywhere All At Once would have been almost guaranteed a win in this category, affirming its position as a landmark in filmmaking.
Mission: Impossible – Dead Reckoning Part One: A 2023 Front-Runner
Fight Coordination by Rudolf Vrba & Liang Yang, Stunt Coordination by Wade Eastwood
The Mission: Impossible franchise has continuously set a benchmark for action cinema, making Dead Reckoning Part One a likely winner for Best Stunt Design in 2023. Fans and critics alike celebrated the exceptional design and execution of stunts shown throughout the film, especially the exhilarating third-act sequences involving daring jumps and thrilling chases.
This latest installment would challenge other impressive contendors, but the complex design of its stunts against a backdrop of practical effects would make it a strong and favorable candidate for the award.
The Fall Guy: A 2024 Award Performance
Stunt Design by Chris O’Hara, Stunt Coordination by Keir Beck, Fight Coordination by Jonathan Eusebio & Sunny Sun
At the 97th Academy Awards, The Fall Guy would shine brightly, likely capturing the Best Stunt Design award despite fierce competition. Embracing the light-hearted and comedic elements linked with the world of stunts, the film makes a compelling case for recognizing the skill and creativity involved in stunt performance.
With noteworthy contenders emerging, including Dune: Part Two and Furiosa, The Fall Guy’s exceptional execution and storytelling would undoubtedly position it favorably within the Academy, making it an ideal candidate for recognition in the award category.