The atmosphere surrounding the production of The Last of Us has noticeably shifted as showrunner Craig Mazin gears up for the second season of the acclaimed HBO series.
During our initial conversation three years ago, Mazin, alongside Neil Druckmann—the mind behind the original PlayStation game—expressed a mix of hope and apprehension. The uncertainty of whether a narrative intertwining post-apocalyptic themes and rich character exploration could appeal to a wider audience was palpable. Fast forward to this year’s South by Southwest Film and TV Festival, and Mazin now exudes remarkable confidence and enthusiasm for the show’s future, declaring that the upcoming season promises to be exceptional.
The first season focused on the perilous journey of Joel (Pedro Pascal) and Ellie (Bella Ramsey), who navigated a world ravaged by a deadly plague. Its success was phenomenal, garnering awards and acclaim. As the narrative expands, the second season introduces a broader cast, improved special effects, and dynamic action sequences, all while teasing exciting developments that are yet to unfold within its seven-episode run. When asked about the trailers that evoke a sense of nostalgia, reminiscent of Empire Strikes Back, Mazin acknowledges this connection and remarks on the thematic shift for the characters: “They aren’t getting away with shit this time.” He elaborates, “The second act challenges everything and invokes a sense of being lost, which is a captivating theme.”
Acknowledging the harsh filming conditions in Alberta’s winter—a nod to a “Hoth”experience from the Star Wars universe—Mazin sets the scene for an ambitious season ahead.
You mentioned at the SXSW panel that the production team has refined its approach for this season. What key insights did you gain from the first season that influenced the second?
Crafting a first television season of such magnitude resembles constructing a plane mid-flight. From that experience, we’ve enhanced our production efficiency, aided by increased funding from HBO. Our skills in depicting the Infected have also improved significantly. Pedro and Bella have fully embraced their characters, while our new cast members, familiar with the show’s context, have seamlessly integrated into the narrative. Moreover, I’ve discovered much about my own directorial approach—collaboration is vital, and I prioritize communication with the directors to ensure a cohesive vision.
Considering the excitement surrounding the new season, what aspect captivates you the most?
This season introduces more pairs—what I fondly refer to as duopolies. Whether it’s Joel and Ellie or new friendships like Ellie and Gina (played by newcomer Isabela Merced), these relationships present a vibrant narrative tapestry. I can’t wait for audiences to witness the unique dynamics that unfold through these interactions.
Is there a particular reason you gravitate towards writing character-driven dialogues?
Absolutely. There’s something electrifying about writing scenes that showcase intimate character exchanges, as seen in our first episode featuring Pedro Pascal and Catherine O’Hara.
In the trailers, the tension between Ellie and Joel is palpable, particularly concerning the promise Joel made in the season one finale. Can you elaborate on that dynamic?
This dynamic serves as the emotional core of the new season. The tragedy lies in Joel’s struggle; having finally found someone who reignites his capacity for love and protection, he feels compelled to maintain a brutal lie. This internal conflict raises the question: when and how will the truth emerge, and what repercussions will it have?
Is it challenging for you to portray young female characters, particularly with Ellie’s friend, Gina, performed by Isabela Merced?
Not at all. Despite nearing 54, I still feel connected to my younger self. My role as a writer is to channel diverse perspectives. Isabela brings that radiant energy we sought, complementing Ellie’s tough persona. It’s essential to balance physical representations, especially given Bella’s stature.
There have been discussions among fans regarding Bella’s portrayal of Ellie, especially given the character’s physical evolution in the second game. However, vulnerability can add depth and investment in the character, making each scene compelling.
The discussion around physicality is intriguing. Our early fight scene aims to explore these dynamics realistically, showcasing how a smaller character can navigate conflicts with larger opponents. It’s a lesson grounded in martial arts, demonstrating that in high stakes, size isn’t always the defining factor.
I understand the concerns regarding Ellie’s age; while some characters change dramatically, others remain more constant. My focus lies beyond mere physical attributes—emotional growth is what matters. Witnessing Bella’s journey towards independence has been incredibly rewarding.
Given the standout episode from last season, “Long, Long Time,”will this new season neglect those poignant detours?
While it’s true we’re maintaining narrative urgency this season, we still plan to explore character development from different angles. There’s one particular storyline I’m keen to delve into. However, incorporating standalone episodes might be an option in future seasons, depending on how the story unfolds.
Reflecting on the compelling action sequences, particularly the snow fort battle in the trailer, how do you aim to elevate these scenes while ensuring narrative significance?
My admiration for Game of Thrones significantly influences my approach to action. However, what truly resonates are the emotional stakes within those scenes. In crafting our sequences, we focus on the potential impact these moments will have on character arcs and relationships, especially in light of the complacency the characters experience in Jackson.
With Neil confirming the absence of a Last of Us Part III video game, how will you navigate your storytelling beyond the game’s narrative?
I can definitively state that we will not outpace the game’s story. The intention is not to exploit the franchise but to honor its narrative integrity. My commitment lies in delivering this tale earnestly; whether one or two additional seasons will suffice remains to be seen.
Are there any discussions regarding spin-offs, perhaps a prequel focusing on Joel’s backstory?
While I find the idea exciting, HBO has encouraged us to remain focused on the main narrative for now. Their approach has been respectful, allowing us to hone in on delivering a compelling next chapter of our story.
Don’t miss the premiere of The Last of Us Season 2 on Sunday, April 13, at 9 p.m. ET on HBO and Max. For a deeper dive into what to expect, check out THR’s exclusive season two preview.
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