The film Sacramento positions itself as “Superbad for anxiety-ridden 30-somethings,” a tagline that serves as an intriguing starting point. However, its true appeal lies in resonating with those who cherished Michael Cera’s performances during the Juno era. Directed by Michael Angarano, who also stars in the film, Sacramento transitions from a relationship comedy into an unexpectedly poignant road trip narrative. The story follows Glenn (Cera), a soon-to-be father, who is unexpectedly approached by his former best friend Rickey (Angarano) for a spontaneous journey to Sacramento under the pretense of scattering his late father’s ashes.
The dynamic between Glenn and Rickey is compelling—two contrasting personalities where Glenn’s anxious demeanor counterbalances Rickey’s chaotic energy. This relationship echoes the principal dynamics found in last year’s A Real Pain. Angarano, who serves as the film’s writer, director, and co-lead, impresses with his multifaceted talent. He is well-supported by a cast that includes Cera, Kristen Stewart, and his real-life spouse Maya Erskine, who, despite being underutilized, leaves a memorable impact.
Fun Fact: Offscreen, Maya Erskine and Michael Angarano are parents to a son born in 2021 and a daughter born in 2024.
As I reflect on the film, I must admit that Sacramento feels tailor-made for my tastes. As an avid fan of Pen15, I’ve always appreciated Erskine’s unique comedic beats. While I may not be at the anxious stage of life depicted in the film nor facing impending parenthood, the movie evokes nostalgia for an era when I was captivated by Juno, leading me to ponder what a grown-up Paulie Bleeker might look like.
Michael Cera at His Best
His Rhythmic Delivery Is Impeccable
For years, Michael Cera has embodied the role of the anxious sidekick—the cautious friend or the unlikely romantic interest. In Sacramento, he takes on the lead role of Glenn, a 36-year-old father-to-be, portraying him as charmingly insecure. His character frequently second-guesses himself and grapples with self-advocacy. Cera’s impeccable timing shines through in lines like:
“I know what gaslighting is, and you’re the one doing it *beat* to me.”
This quote emerges from a moment in the film where Rickey’s therapist-like language confounds Glenn. This exchange not only demonstrates Cera’s masterful rhythm but also encapsulates the film’s exploration of friendship.
Cera’s performance also heightens Kristen Stewart’s portrayal of Glenn’s wife, Rosie. Although Stewart has garnered acclaim post-Twilight, her performance here navigates familiar emotional terrain with a monotonous tone that occasionally falls flat. Yet, her scenes are enriched by Cera’s dynamic presence, showcasing a remarkable synergy that elevated both characters. It’s impressive that Cera’s performance even managed to enhance my appreciation for Stewart, who has left me underwhelmed in previous roles like Love Lies Bleeding.
Pacing Sometimes Disrupts the Story Arc
The Ending Feels Rushed
Without revealing major plot twists, Sacramento challenges audience expectations with a significant turn. Throughout the film, Glenn suspects that Rickey’s motives are not as straightforward as they seem. However, as the duo confronts one another, the journey’s purpose evolves significantly. While this narrative twist enhances character development, its late introduction creates issues with pacing.
The first two acts allow for rich character exploration, but the final 25 minutes rush to a conclusion, leading to a rapid-fire resolution that relies on conventional road trip tropes. This hurried ending diminishes the impact of what was an otherwise engaging narrative.
Sacramento’s Female Characters Are Underdeveloped
But That Is Not Always a Bad Thing
The film’s structure results in minimal screen time for Erskine, who is only briefly featured at the start. As an admirer of Erskine from Pen15, I was personally disappointed by her limited presence. More generally, this reflects a broader trend in Sacramento where its two leading women are not adequately developed. Rosie primarily serves as a plot device for Glenn’s growth, while Tallie’s role lacks depth.
However, this oversight doesn’t necessarily detract from Sacramento‘s narrative. In just 89 minutes, the film crafts a compelling story centered on male friendship and the complexities of impending fatherhood. The focus on male experiences, while neglecting female perspectives, ultimately serves to deepen discussions around themes rarely addressed in cinema today. Despite a few missteps, the film’s charm makes its shortcomings forgivable.