Star Trek has established a notable legacy of employing science fiction settings to critique and analyze various facets of real-world history. Characters from Starfleet often journey through futuristic interpretations of significant historical eras, such as Ancient Rome, the Wild West, or 1920s Chicago, among others. While many instances are entertaining, some topics resonate more profoundly due to their sensitive nature. An example of this is found in the episode “Patterns of Force,”which centers on themes related to Nazism.
One of the most amusing phenomena of the internet is its ability to reinterpret visual media. A single frame from a movie or television show can succinctly convey the essence of a narrative, occasionally more effectively than its original context. Conversely, these visual snippets can morph into a form of collective expression, detached from their initial meanings. Moreover, certain episodes or films may be reduced to one memorable image, often to serve as fodder for internet humor. Contemporary Star Trek producers likely hesitate to showcase their prominent characters in Nazi attire, given the complex and sensitive implications.
Synopsis of “Patterns of Force”

Series |
The Original Series |
---|---|
Episode |
Season 2, Episode 21 |
Director |
Vincent McEveety |
Writer |
John Meredith Lucas |
Release Date |
February 16, 1968 |
The episode “Patterns of Force”kicks off with the USS Enterprise arriving at Ekos, a planet where they search for a missing historian named John Gill. Upon their arrival, they realize that the planet possesses highly advanced technology, raising flags about possible breaches of the Prime Directive. Kirk and Spock soon realize their concerns are justified when they discover Ekosian society is a near-perfect imitation of Nazi Germany. To navigate this dangerous environment, they disguise themselves in Nazi uniforms.
The stakes escalate when they learn that the Ekosians are preparing for a horrific invasion of a peaceful neighboring planet. Compounding their troubles is the fact that the individual leading the charge appears to be Professor Gill, who has been promoting a fascistic regime. Unfortunately, Spock’s pointed ears expose their ruse, resulting in their capture and subsequent plans for torture. However, this scenario allows them to connect with a local anti-fascist group, acquiring critical intelligence.
A resistance operative informs Kirk that Gill is merely a puppet leader, and the true mastermind is his second-in-command, Melakon. After an escape from captivity, Kirk and Spock find Gill heavily sedated. After reviving him, Gill explains that he introduced fascism to Ekos, mistakenly believing it to be the most effective system of governance. Initially, things progressed smoothly until Melakon took power and escalated the regime’s horrors. As Gill openly condemns Melakon’s excesses, the latter is fatally shot by a resistance member. With both tyrants dead, the faction leads the effort to dismantle the oppressive regime. Kirk and Spock depart with renewed confidence in the Ekosians’ ability to forge their own future.
Reception of “Patterns of Force”





The impact of “Patterns of Force”was not without controversy. The episode faced immediate prohibition in Germany due to its portrayal of Nazi symbolism, which is strictly regulated outside educational contexts. While the overt Nazi imagery could have raised eyebrows, it was Gill’s flawed characterization of fascism as an efficient form of governance that particularly incited backlash among German authorities. Consequently, this episode was notably the only one excluded from the original broadcast in Germany and only received its first German dub 27 years later, in 1995. Its first airing in Germany did not occur until 2011. The BBC also trimmed sections for its portrayal of torture.
While “Patterns of Force”does not endorse fascism or Nazi ideology, it does provoke meaningful discussion. The absurd proposition that fascism might embody efficient governance starkly contrasts with the overtly unsettling society portrayed. The narrative could have maintained its intent with a different set of references, subtly avoiding the need for direct representations of Nazi Germany. Instead, fans witnessed their beloved captain and officer donning swastikas amidst a perplexing narrative involving pseudo-intellectual arguments about governance effectiveness.