This article was initially published on March 10, 2025, as part of our comprehensive coverage of the SXSW Film & TV Festival.
Unpacking the Thrills of Drop at SXSW
Among the myriad offerings at the SXSW Film & TV Festival, Drop emerged as a standout film, igniting a wave of enthusiastic audience reactions—everything from hearty laughs to sharp gasps. Right from the gripping opening scene, which hints at the turmoil awaiting Violet (played by Meghann Fahy), viewers are drawn into the narrative that intricately weaves elements of suspense and human emotion. Directed by Christopher Landon and penned by Jillian Jacobs and Christopher Roach, it is evident that Drop is on track to become a significant cinematic hit.
This film skillfully captures the tension characteristic of claustrophobic, single-location stories, reminiscent of cinematic gems such as Red Eye and Phone Booth. Yet, what sets Drop apart is its exploration of the vulnerabilities associated with a first date—a universally relatable experience, magnified through the lens of Violet’s past trauma as an abuse survivor. Leaving her young son, Toby (Jacob Robinson), with her sister Jen (Violett Beane), adds an extra layer of stress to her already anxious demeanor.
Intensity and Mystery Intertwined in Drop

The term “intense”barely scratches the surface when describing Drop. It offers a rollercoaster experience that keeps the audience at the edge of their seats. While some narrative elements might require a suspension of disbelief—like the logistics behind the menacing texts—Landon’s rapid storytelling allows viewers to remain captivated in Violet’s evolving dilemma, rather than questioning the plot’s feasibility.
The film effectively transforms the spacious restaurant setting into a tightening noose, heightening the sense of entrapment as the storyline progresses. The production team deserves recognition for crafting a chic yet eerie atmosphere that evolves into a claustrophobic nightmare. Ben Baudhuin’s exemplary editing enhances the tension by smoothly integrating flashbacks and capturing Violet’s frantic glances, amplifying the chilling reality that the restaurant’s patrons and staff remain oblivious to her plight. Bear McCreary’s evocative score further intensifies the atmosphere and punctuates the emotional peaks of the narrative.
Stellar Performances from Meghann Fahy & Brandon Sklenar
Fahy’s Remarkable Performance: The Emotional Core of Drop

For Drop to resonate, it was essential for Fahy’s portrayal of Violet to be deeply layered—and she absolutely delivers. The film’s opening establishes her character effectively, evolving into a nuanced depiction of a woman grappling with her haunting past. Fahy emerges as a formidable talent; her ability to convey a wide array of emotions through subtle facial expressions and vocal nuances proves crucial in a largely confined setting. The weight of the film rests on her shoulders, and she rises to the challenge, compelling viewers to invest in Violet’s safety and journey.
While Sklenar’s character has his own narrative complexities, Fahy’s performance remains the film’s heartbeat. His portrayal of Henry offers moments of levity that subtly contrast Violet’s turmoil, yet the uncertainty surrounding his background adds an intriguing layer to the mystery. The film expertly subverts expectations, enhancing Sklenar’s contribution to the tension and character development.
In supporting roles, the cast shines brightly. Matt (Jeffery Self), the quirky waiter, injects humor, lightening the mood during critical moments, while Cara (Gabrielle Ryan), the bartender, forms an important bond with Violet that adds depth to the unfolding drama.
While some plot points may seem far-fetched, they pale in comparison to the film’s ability to evoke thrills, potent performances, and an exhilarating pace. Drop not only promises an entertaining movie-going experience but also invites immediate rewatching to uncover subtleties missed during the first viewing. It certainly leaves a lasting impression.
After its premiere at the 2025 SXSW Film & TV Festival, Drop is currently showing in theaters.