Could Suguru Geto Provide Answers to Major Questions in Jujutsu Kaisen?

Jujutsu Kaisen enthusiasts have long speculated about the origins of the Death Paintings, especially following Choso’s mention of a mother figure. Initially, many assumed that this character was a typical human woman subjected to the torment of various Curses.

However, insights from the franchise’s official fanbook reveal a crucial perspective from the creator, Gege Akutami, stating that these beings do not possess reproductive organs. A theory shared by X user @kostivedae posits that Choso’s mother could actually be the reincarnation of Suguru Geto from his previous life.

This intriguing theory suggests that Geto’s past existence in the world of Jujutsu Kaisen wielded the specific Cursed Technique necessary for Kenjaku’s Death Paintings experiments. It also provides a compelling explanation for Kenjaku’s Merger plan, as he would inherently understand the implications of that unique ability.

Additionally, aspects of Geto’s character resonate with maternal themes, which further aligns with the proposed theory. Notably, this perspective alters the way we interpret the connections among various characters within the narrative.

Disclaimer: This article includes speculative content and reveals spoilers about the series.

The Hypothesis: Suguru Geto as the Original Mother of the Death Paintings

It’s essential to recognize that Jujutsu Kaisen explores the concept of reincarnation throughout the story. For instance, Ryomen Sukuna’s twin brother eventually reincarnates as Jin Itadori, Yuji’s father, and was later retconned as Wasuke, Yuji’s grandfather. This narrative choice paves the way for a plausible scenario where Choso’s mother, and the others associated with the Death Paintings, could have originated from a past life that belonged to Suguru Geto, known for his Cursed Technique: Cursed Spirit Manipulation.

The theory emphasizes Kenjaku’s plan for the Merger, which, according to Tengen’s statements within the series, relies heavily on variables such as Toji Fushiguro, Geto, and the Prison Realm. Given Suguru’s pivotal role in Kenjaku’s long-term strategies, it’s not unreasonable to think Kenjaku might have anticipated encountering someone with such abilities, carefully orchestrating her reincarnation.

Furthermore, Gege Akutami’s commentary in the fanbook regarding the lack of reproductive organs in Curses implies that such entities could not bear children with humans. This opens the door for the possibility that someone capable of Curse manipulation, like Geto, fits perfectly within this framework. A notable detail is that one of the spirits under Geto’s control referred to him as “mommy,”lightly intertwining with the maternal connections suggested by the theory.

Additional Insights on this Theory

Kenjaku when he was in control of Geto's body (Image via MAPPA).
Kenjaku when he was in control of Geto’s body (Image via MAPPA).

The theory further proposes that Suguru Geto’s existence, akin to the Jin and Wasuke situation, could be a creation of Kenjaku’s own design. This indicates that Kenjaku might have captured the soul of Choso’s mother long ago, ultimately embedding it within a youthful vessel named Suguru Geto. This scenario is reminiscent of Choso’s situation, where he also arrived in a vessel with an adult body.

If validated, this suggests that Geto might not possess memories of his former self, as a young child typically lacks the capacity to retain extensive recollections from the past. In the Hidden Inventory arc, during the efforts to protect Riko Amanai, it’s also pointed out that he is not the only user of Cursed Spirit Manipulation, indicating that others had existed previously—a fact Kenjaku likely capitalized on when framing his ambitions.

The absence of Choso and his brothers recalling their mother further corroborates this theory; swayed by their ignorance, they wouldn’t recognize Geto in any capacity. A lingering question, however, remains—why didn’t Kenjaku seize the woman’s body for her Cursed Technique previously? Perhaps unforeseen complications arose, similar to those he encountered with other Six Eyes users before confronting Satoru Gojo.

Conclusion

The proposition that Suguru Geto could originally be the mother of the Death Paintings in Jujutsu Kaisen is not only captivating but also aligns intriguingly with the established lore. While it stretches conventional understanding, it offers substantial context to Kenjaku’s actions and the intricacies of his overarching plan.

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