This review originally appeared as part of our coverage for the 2025 SXSW Film & TV Festival.
The Bold Vision of A24: Exploring “Death of a Unicorn”
A24 has established itself as a studio that embraces creative risks, showcasing a diverse range of films that shift from deeply dramatic narratives to the more surreal. Among its latest offerings, Death of a Unicorn exemplifies this adventurous spirit. Helmed by debut director Alex Scharfman, this film thrives on an audacious premise complemented by exaggerated and memorable scenes of unicorn demise—a fitting expectation given its title. The energy and ambition of the narrative create an engaging cinematic experience.
Plot Overview: A Father-Daughter Journey Amidst Chaos
The storyline follows Elliott (Paul Rudd), a single father and practicing lawyer, who takes his college-age daughter, Ridley (Jenna Ortega), into the wilderness for an important meeting with the Leopold family, which includes Odell (Richard E. Grant), Belinda (Téa Leoni), and their son, Shepard (Will Poulter). Elliott hopes this connection will secure a prosperous future for both him and Ridley. However, the death of Elliott’s wife has strained their relationship, and Ridley is frustrated by her father’s attempts to ingratiate himself with the Leopolds, seeking instead to mend their bond.
As Elliott inadvertently collides with a unicorn en route to the meeting, the film spirals into a wild adventure that oscillates between the absurd and the chaotic. This unexpected turn of events propels the narrative into a frenzy of unexpected twists and comedic moments.
Will Poulter’s Performance Stands Out
An Ensemble That Shines
The strength of Death of a Unicorn largely lies in its talented cast. Paul Rudd and Jenna Ortega deliver an exceptional portrayal of father and daughter, confidently balancing humor and emotional depth. Their chemistry draws viewers in as they communicate nuances through mere facial expressions, contributing to the film’s comedic elements. Their dynamic is the film’s emotional core, often leaving audiences desiring more of their interactions.
Richard E. Grant shines as an exaggeratedly obnoxious antagonist, adding layers to the film’s humor. Supporting roles filled by actors like Anthony Carrigan as Griff and Sunita Mani as Dr. Bhatia further enhance the comedic atmosphere. Téa Leoni also contributes with her notable performance, though her character’s screen time leaves viewers wanting more.
The Comedic Tension in “Death of a Unicorn”
Balancing Humor and Depth
While Death of a Unicorn is undeniably funny, it sometimes lacks the necessary pacing to delve deeper into Elliott and Ridley’s relationship. The father’s singular focus on pleasing the Leopolds often sidelines essential conversations with Ridley, creating repetitive scenes that can feel monotonous. Additionally, the film revisits unicorn lore without expanding on it, missing an opportunity to enrich the narrative.
The film subtly addresses themes concerning wealth disparity, the ethics of medical access, and the nuances of grief and human connection. However, these substantial topics remain largely unexamined as the narrative prioritizes humor and shock value over poignant dialogue. While the comedy is a standout feature, its overwhelming presence can detract from more nuanced storytelling.
Nevertheless, Death of a Unicorn remains an entertaining spectacle. The creature design captivates audiences, and the film thrives in a social setting, inviting shared laughter during its gory, outrageous moments. One particularly memorable scene elicited applause, showcasing the collective engagement of the audience. The film manages to conclude on a strong note, blending humor with genuine emotion and unexpected twists, making it an exhilarating cinematic ride.
Death of a Unicorn premiered at the 2025 SXSW Film & TV Festival and is currently showing in theaters.