Mohammad Rasoulof: A Voice Against Totalitarianism from Exile

Renowned Iranian filmmaker Mohammad Rasoulof, known for his acclaimed work in “There Is No Evil,”was forced to leave Iran after receiving an eight-year prison sentence. This dramatic escape marked a new chapter in his life, landing him in Germany where he found a creative sanctuary.

His latest film, The Seed of the Sacred Fig, garnered significant attention at the 2024 Cannes Film Festival, securing a special jury award and earning a nomination for the Best International Feature Oscar.

Currently, Rasoulof is serving as the head of the jury for the 15th edition of the Luxembourg City Film Festival. He is accompanied by a talented panel including VFX expert Jeff Desom, known for his work on Everything Everywhere All at Once, and seasoned screenwriter Paul Laverty, a frequent collaborator with director Ken Loach.

An Insightful Conversation with THR

In an interview with The Hollywood Reporter, conducted through a translator, Rasoulof shared his experiences in exile, the ongoing struggle for democracy globally, and the narratives of Iranian creatives that are often overlooked.

Adjustment to Life in Europe

Reflecting on his adjustment to European life, Rasoulof indicated that the rapid pace of change leaves little time for introspection. “I fly a lot, and I spend considerable time on planes. Most of my writing occurs during these flights,”he remarked, revealing the unconventional setting for his creative process.

Exploring New Themes in His Next Project

Rasoulof also mentioned his return to theatre after three decades, indicating a new project in Berlin featuring actresses from The Seed of the Sacred Fig. This play is set to tackle critical themes surrounding migration, cultural adaptation, and the complex emotional ties individuals maintain with their homeland.

“The play addresses the challenges of migration and how to appreciate a new culture while remaining connected to one’s roots,” Rasoulof elaborated, framing it as a narrative of resilience and love in the face of separation.

Reflections on Political Parallels

Rasoulof drew attention to the ongoing threats to democracy, asserting that totalitarianism can emerge in any nation. “Whether in Iran or the U.S.,” he stated, “the struggle for human rights is universal.” His observations underline a pressing need for vigilance against any erosion of democratic values.

The Role of the Iranian Diaspora

Addressing the Iranian diaspora’s role in advocating for change back home, Rasoulof acknowledged the complexity of their perspectives. “Those who have left may not fully grasp the situation in Iran, creating a disconnect,” he explained. He emphasized that the voices of those still residing in Iran must be central to discussions about the nation’s future.

Highlighting Underrated Iranian Voices

Rasoulof passionately advocated for a new generation of Iranian artists who face oppressive conditions yet continue to push creative boundaries. “Their creativity thrives in a paradoxical environment where freedom of expression is stifled,” he said. He cautioned against dismissing their work merely because it doesn’t fit conventional narratives about Iranian artists.

“We must appreciate their unique perspectives,” he concluded, calling for the global artistic community to recognize and celebrate these voices instead of sidelining them due to political assumptions.

For more insights into Rasoulof’s thoughts on art and politics, you can read the full interview here.