Exploring Social Realism with Paul Laverty: Insights from the Luxembourg City Film Festival
Acclaimed screenwriter Paul Laverty, known for his collaborations with the legendary filmmaker Ken Loach, has consistently created impactful social realist cinema. Their partnership has yielded notable works, including the award-winning films I, Daniel Blake and The Wind That Shakes the Barley, both of which received the prestigious Cannes Palme d’Or.
Laverty’s journey began in Calcutta, India, where he was born to an Irish mother and a Scottish father. He pursued a philosophy degree in Rome and eventually dedicated part of his early career to a human rights organization in Nicaragua during the mid-1980s. Currently residing in Edinburgh, Laverty is participating in the 15th edition of the Luxembourg City Film Festival as a jury member under the leadership of Iranian filmmaker Mohammad Rasoulof, alongside notable figures like Tim Roth.
Film as Reflection of Our Times
During an enlightening conversation with The Hollywood Reporter at the festival, Laverty discussed the pivotal role of cinema in addressing contemporary global issues and his aspirations to collaborate with Spanish filmmaker Icíar Bollaín, known for I Am Nevenka. He also addressed speculation about whether The Old Oak marked the final collaboration between himself and Loach.
On the Influence of Global Events on Filmmaking
Laverty expressed a nuanced view about being categorized solely as an issues-driven writer. He emphasized that character and narrative should always be paramount. “The choices of characters and the story’s premise are ultimately reflections of personal obsessions,” he asserted, highlighting the importance of storytelling over mere ideological preaching.
He shared his thoughts on a significant report titled A Cartography of Genocide, produced by Forensic Architecture, which meticulously examines the crisis in Gaza. Laverty called it one of the most crucial documents of our time, underscoring the stark realities it uncovers while also lamenting the lack of attention it receives.
The Dismantling of Global Norms
Laverty pointed to a troubling trend he believes reflects a disregard for international law. He cited the recent actions of the United States towards the International Criminal Court (ICC) in The Hague as emblematic of a broader trend of impunity. “The gatekeepers of human rights are being targeted,” he lamented, questioning whether films that challenge these narratives can ever find a platform.
The Post-Truth Era and its Impact on Filmmaking
Laverty reflected on the concept of a post-truth society, drawing parallels with his experiences in Central America during the 1980s, where he witnessed firsthand the manipulation of narratives. “Back then, there was fake news, but now it’s as if they don’t care about truth at all,” he noted, adding that a sense of accountability seems to be non-existent today.
The Role of Government and Power in Society
In discussing the implications of powerful figures like Elon Musk, Laverty highlighted concerns over unregulated wealth influencing narratives and policy. He argued that such concentrated power is reshaping societal discourse to fit a specific agenda, often at the expense of democratic values.
Laverty considered the implications of public discourse and the increasing normalization of authoritarian behaviors. “The chatter about freedom of speech is a facade for dismantling democratic institutions,” he noted gravely, characterizing this era as one of significant danger.
Filmmaking as a Form of Resistance
When asked about his role as a filmmaker amidst such dire circumstances, Laverty acknowledged the limitations of cinema but maintained that storytelling still holds value. “Filmmakers often have limited impact, but each story is a thread of hope,” he explained. “It’s vital to create narratives that instill resilience in communities and foster joy in the face of adversity.”
He believes that maintaining hope is essential for collective resistance, as it fosters the desire to articulate alternatives to prevailing narratives. “These dark times call for stories that uplift and inspire,” he concluded, emphasizing the importance of community solidarity and joy as essential forms of resistance.
Future Collaborative Endeavors in Cinema
Looking to the future, Laverty expressed enthusiasm for upcoming projects, particularly with Icíar Bollaín and renowned filmmaker Ramin Bahrani, known for The White Tiger. He shared plans to collaborate, acknowledging Bahrani’s impressive talent and sensitivity.
Culmination of an Era: Reflection on Collaboration with Ken Loach
As for the speculation regarding whether The Old Oak is indeed Loach’s final film, Laverty confirmed it will be. He praised Loach’s remarkable vision and unwavering determination, despite the considerable energy required to complete feature films. “At 89, Ken remains remarkably sharp; his dedication is truly inspiring,” Laverty remarked gratefully, reflecting on their fruitful partnership.
Laverty’s insights at the Luxembourg City Film Festival reveal a deep understanding of cinema’s role in society, urging filmmakers to address pressing social issues while celebrating the human spirit. As he forges ahead with new projects, the resonance of his work will undoubtedly continue to inspire dialogue and reflection.