Solo Leveling Season 2 Episode 10: Comparing the Anime and Manhwa Adaptations

With the recent release of Solo Leveling season 2 episode 10, fans witnessed the highly anticipated convergence of S-Rank Hunters from both Korea and Japan as they embarked on the fourth Jeju Island Raid. Adapted by A-1 Pictures from the manhwa’s chapters 92-96, this episode incorporated some creative alterations alongside original content.

In this episode, Goto Ryuji made a notable challenge to Sung Jinwoo, stemming from a prior incident where Jinwoo saved Cha Hae-In from Kumamoto. Despite a promising showdown, external circumstances prompted the other Hunters to intervene and halt the confrontation. Meanwhile, the raid on Jeju Island progressed according to the plan until an unexpected hidden boss emerged.

Disclaimer: This article contains spoilers from the Solo Leveling manhwa.

Major Alterations in Solo Leveling Season 2 Episode 10 by A-1 Pictures

Original Scenes Featuring Lee Joohee

Lee Joohee as seen in the Solo Leveling season 2 episode 10 (Image via A-1 Pictures)
Lee Joohee as seen in the Solo Leveling season 2 episode 10 (Image via A-1 Pictures)

Fans may recall that Lee Joohee’s retirement as a Hunter came after the traumatic events involving Kang Taeshik and the prisoners. In the manhwa, her participation with the Hunter group stationed at Busan during the Jeju Island raid was not fully explained. However, the anime adaptation rectified this by introducing original scenes that illuminate her decision-making process.

Throughout the episode, Lee Joohee monitored updates regarding the fourth Jeju Island Raid. When her mother suggested they contribute while the Hunters defended them, Joohee decided to reach out to Song Chi-Yul, expressing her intention to join the sentry squad.

Modifications to Goto Ryuji’s Confrontation with Sung Jinwoo

Goto Ryuji as seen in Solo Leveling season 2 episode 10 (Image via A-1 Pictures)
Goto Ryuji as seen in Solo Leveling season 2 episode 10 (Image via A-1 Pictures)

In an electrifying moment that mirrored the source material, Goto Ryuji confronted Sung Jinwoo after witnessing his prowess in halting Kumamoto. While the adaptation mostly adhered to the original script, it notably excluded Jinwoo’s ability to sense Goto’s murderous intent, thereby downplaying any overt hostility from Goto.

Moreover, the manhwa depicted Goto Ryuji as thoroughly exhausted after the skirmish with Jinwoo, an element missing from the anime. This omission suggests that A-1 Pictures aimed to maintain the mystique around the disparity in strength between the two Hunters.

Unique Family Dynamics – An Original Scene with the Sung Family

Park Kyung-Hye as seen in Solo Leveling season 2 episode 10 (Image via A-1 Pictures)
Park Kyung-Hye as seen in Solo Leveling season 2 episode 10 (Image via A-1 Pictures)

In a narrative twist distinct from the manhwa, the anime showcased Sung Jinwoo’s mother, Park Kyung-Hye, returning home much earlier than her character does in the original series. This poignant scene unfolds when Jinwoo returns home after his confrontation with Goto, culminating in an emotional reunion after four long years. A-1 Pictures cleverly employed this familial reunion to underscore Jinwoo’s choice to forgo the Jeju Island Raid despite the potential for significant personal growth.

Introduction of Min Byung-Gyu’s Original Scene

Min Byung-Gyu as seen in Solo Leveling season 2 episode 10 (Image via A-1 Pictures)
Min Byung-Gyu as seen in Solo Leveling season 2 episode 10 (Image via A-1 Pictures)

Manhwa enthusiasts will recognize that Min Byung-Gyu made a last-minute decision to join the Jeju Island Raid, though the initial source material did not provide clarity on his motivations. The anime fills this gap by closely tracking Byung-Gyu’s journey leading to this choice. A notable moment occurs when he observes children engaged in a game of Hunters vs. Monsters, likely prompting him to act in order to safeguard their innocence.

Additionally, the adaptation presented a conversation between Baek Yoonho and Min Byung-Gyu prior to boarding the helicopter, a change from the original timeline where this dialogue occurred afterward. Such shifts highlight A-1 Pictures’ intent to enhance character relationships and motivations within the narrative.

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